Our radio Interactive “Hands On” Workshops educ ates and engages by providing your students the ability to create content and broadcast it live from the air waves. With their passion and expertise, DIY broadcast projects is the perfect resource for anyone looking to get into the world of broadcast engineering. The videos provide detailed step-by-step instructions on how to build each project, along with helpful tips and tricks to make the process easier. The group features a wide range of projects, from creating your own radio transmitter to building a low-power FM broadcast station. DIY Broadcast Projects is a team of passionate DIYers who love to design and build their own radio broadcast projects.
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* Improved default loadouts against underground factories. Also, two 2000lb GP or PEN bombs will now destroy runway sections. * Improved 2000lb effectiveness compared to 500lb (2000lb slight increase in footprint/damage). * During ramp start do not delay engine start with the need to move throttle. * Alignment of radar displays in A-A and A-G modes fixed. Target selection (previous fixation on the lead aircraft) is improved. * Fixes for Helmet Mounted Sighting (HMS) system - read the Addendum Manual for more information. * Fixed the 5900lbs limit sometimes imposed on refueling. * Display own bullseye location in the HUD when Bullseye information is turned on (ICP Misc/Bullseye page). * Revised ripple bombing: the impact point shown on the HUD now designates the center of the bomb string. * Fix a bug that caused the RWR to continue chirping when a beamriding missile was switching sensors or lost lock. * Smoke marker rockets for FAC flights won't smoke when exploding in the air anymore. O Subtle vertical stabilisation added as the refueling aircraft closes in on the tanker. O Aircraft in the refueling queue will be ignored by the tanker if they fly away, land or are dead. O In simplified refueling mode where the AI is providing throttle assistance, a heavily loaded player jet would struggle to catch the tanker. O In realistic mode, the player must now use the "Done" tanker radio command, the AI no longer does this on behalf of the player. O In realistic mode, connecting to the boom now cushions the speed of the refueling aircraft. O In realistic refueling model, the AI boom driver now applies forces to help position the thirsty aircraft. O Large warps occasionally seen in multiplayer refueling fixed. O Inability of the tanker to refill external tanks fixed. * Refueling changes (also read the Addendum manual): * Fixed AI taxiing onto the runway without permission because they're going too fast. * ATC gives more time for the player to leave the runway after landing. * Resolved problem where sometimes AI would sometimes chase after enemy A/C with guns instead of engaging with air to air missiles after a Weapons Free command was given. * Fixed issue where AI jets spawning on the runway would sometimes taxi onto the grass causing the departure queue to stall forever. * Made AI more responsive on Weapons Free command for A-G missions - read the Addendum manual for further information about AI handling. * AI will use rockets more effectively on ground targets. * AWACS comms now continue if a package-assigned FAC is shot down. * Fixed AI continuing landing pattern when human lead switches from landing waypoint back to route waypoints. * Improved ground avoidance for low altitude flying of AI. Nerd shit: small polystyrene caps for the high freqs, yellow polycarbonate phillips caps and notice the giant silver Russian 10 uf film caps! no electrolytics in my filter! Measuring all the caps and re-calculating frequencies Most vintage capacitors have tolerance values of 5%, 10% 20% and i was using tons of vintage stuff from my stash, so i needed measure, especialy for a passive eq. If you don’t measure parts, or limit yourself to using an available brand of expensive -1% parts, the frequencies will vary from the calculated values and the spacing of the freqs can be weird, too far or bunched together. This is an advantage of home made electronics, because of parts tolerance it would be very expensive for a manufacturer to exactly match all units. I matched all the inductors values and cap to less than 1% and got all the frequencies i wanted spot on. It’s a long and tedious process but it’s way easier than it seems once you get the hang of it. Pretty much the same process for all the other eq’s. I had a 24 positions switch for the high band, compared to 5 frequencies on the original, so, alot more math, measuring etc. re-calculate freqs with the caps and inductors real world values.Measure shit loads of capacitors and paralleling them to get all the calculated values right.re-calculate all the frequencies with the tolerance of my inductor.measure the inductor for exact inductance values.Wind a multi-tap inductor with all the taps i needed.Calculated for all the in-between and extra frequencies i wanted to add.I re-calculated all the original Meq eq frequencies, inductance and capacitance.The way i did it to get all the frequencies right : I studied the circuit to understand the filter topology and then found some online calculators to help with the math. I am goin with the “solid state” version using Api 2520 discrete op-amp for make up-gain, so i won’t need the expensive interstage transformer as needed for the original tube version. The Filter circuit is a bit more complex than the EQP, Using 3 multi-tap inductors. So i started by studying the schematic of the filter circuit: (credit to Gyraf, Thanks man!) The first tube version has a make-up gain amp a little different than the EQP but the solid-state version is very similar, this is the one i wanted to clone. It’s a “passive” eq followed by make-up gain. It is basicaly a mid-range eq with low-mid boost, mid-cut and high mid boost. The MEQ-5 is a little less famous than the EQP-1a and probably a little rarer but selling for a little less than the EQP because it is less sought after. Here’s a pic of an original, tube version. See Part.1 for the intro and the eqp-1a cloneĪight, next up in my Pultec eq’s cloning saga, the MEQ-5 mid-range equaliser. 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Download Setup & Crack Letasoft Sound Booster 1.12.538 Crack With Product Key Full Free Download The practicing is split up into chunks that are a maximum of ten minutes in length. I replied, ‘between an hour and a half to two hours a day.’ He responded excitedly, ‘and you want to be a professional trumpet player?!?!’ Hahaha. *When I first moved to Los Angeles and called up Charley Davis to schedule a trumpet lesson, he asked me how much I practiced. All-in-all, it’s not that much time, but I do feel the progress I’m making is pretty good*. These days, I am practicing between one hour and one hour and thirty minutes per day. Here’s “ RoutineTracker: Spring 2019.” Practice Strategies (How I’m Practicing) Total Daily Practice Time Still, you may enjoy cross-referencing your own routine against another trumpet players. Of course, I’m just some guy, and what I practice is not particularly important. Since people seem interested, BTB’s “RoutineTracker” is where you’ll find what I’m working on and how I’m working on it. You know, what to work on, length of practice sessions, how many sessions…that kind of thing. Have fun with them! They are worth your time.From time to time I receive emails from trumpet players wanting to know what a typical practice day looks like. Peters and Systemic Approach to Daily Practice by Claude Gordon include pedals in the initial lessons. Pedals are a great way to warm up (read Carmine Caruso books) and the learning books Total Range by Charles S. Pedals will likely never sound crisp and clear like the other notes on the horn and, like everything else, they take practice. My lowest range (which took a while) is the double pedal C and feels like it is almost all lower lip. You will find you'll be using more lower lip as you go lower. You'll find pedals take a lot of air! For the beginning, you can use the same fingerings as you would for the notes in the octave above. This will involve relaxation of your embouchure, jaw and lips as you want the lips to flop at a lower frequency that needed at the higher registers. Then, once you have the tone, bend it flat. The easiest way I know of to learn a pedal is to start by playing the F# at the bottom of the trumpet range. Learning to play them will enhance your breathing ability and control of your embouchure both are items you will need for the upper register. You are correct, the pedal tones are those that are not fundamentally on the horn. Mark, I would say you are approaching a topic that is worth learning even in the beginning. 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